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SIMP O<span class="small-caps">perations and the</span> S<span class="small-caps">trange but</span> B<span class="small-caps">eautiful</span> J<span class="small-caps">anus</span>-F<span class="small-caps">aced</span> PC JOURNAL ARTICLE published 2011 in Perspectives of New Music |
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New Notational Strategies for New Interpretative Paradigms: Revisiting the Scores of Anestis Logothetis (1921–1994) JOURNAL ARTICLE published 2015 in Perspectives of New Music |
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Little Sail JOURNAL ARTICLE published 2018 in Perspectives of New Music |
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I<span class="small-caps">nterview</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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A<span class="small-caps">n</span> A<span class="small-caps">dventure into</span> O<span class="small-caps">uter</span> S<span class="small-caps">pace</span>: S<span class="small-caps">tockhausen</span>'<span class="small-caps">s</span> <em>L<span class="small-caps">ichter</span>—W<span class="small-caps">asser</span></em> <span class="small-caps">and the</span> A<span class="small-caps">nalysis of</span> S<span class="small-caps">patialized</span> M<span class="small-caps">usic</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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I<span class="small-caps">nterview</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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Finger Tips JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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I<span class="small-caps">nterview</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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Becoming-Composer JOURNAL ARTICLE published 2015 in Perspectives of New Music |
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T<span class="small-caps">hreats and</span> P<span class="small-caps">romises</span>: L<span class="small-caps">ucifer</span>, H<span class="small-caps">ell</span>, <span class="small-caps">and</span> S<span class="small-caps">tockhausen's</span> <em>S<span class="small-caps">unday from</span> L<span class="small-caps">ight</span></em> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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A B<span class="small-caps">rief</span> G<span class="small-caps">uide to the</span> T<span class="small-caps">iling</span> A<span class="small-caps">rticles</span> JOURNAL ARTICLE published 2011 in Perspectives of New Music |
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I<span class="small-caps">nterview</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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<em>P<span class="small-caps">erspectives</span></em> <span class="small-caps">at</span> 50 JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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Not too Violent: The Fall of Notation in Michael Finnissy's <em>Autumnall</em> for Solo Piano JOURNAL ARTICLE published 2014 in Perspectives of New Music |
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<em>Becoming … Everything Else</em>: Situating Performance in Public Space and Daily Life JOURNAL ARTICLE published 2014 in Perspectives of New Music |
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Steps JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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Split Centers: Gamelan Fusion Post-Multiculturalism JOURNAL ARTICLE published 2015 in Perspectives of New Music |
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Front Matter JOURNAL ARTICLE published 2011 in Perspectives of New Music |
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I<span class="small-caps">nterview</span> JOURNAL ARTICLE published 2012 in Perspectives of New Music |
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Back Matter JOURNAL ARTICLE published 2018 in Perspectives of New Music |